The Man Who Wasn't There: An Intertextual Investigation of Modern Identity

In this article The Man Who Wasn’t There (2001; dir. Joel Coen) is considered as an intertextual investigation of the conditions underlying self-identity in the modern world. The problematic transition from traditional to modern forms of living is explored through the representation of reflexivity and uncertainty in daily life. The extreme circulation of a capitalist economy and perpetual self-reflection supported by the profusion of mass media that provide opportunities for profit and expression also de-center the modern subject. The struggle to find a place in this changing world is associated with the trauma of displacement and loss, dysfunctional relationships, and exploitation that can lead to murder and suicide. The fundamental questions involved are directly relevant and applicable to a contemporary understanding of agency and structure, individuality and community, self and Other: What can we say to each other? What do we know? Who am I?